Saurabh Tewari

Thanks to the editors Paul Rodgers and Craign Bremner for this witty addition to the discourse of Design. I am one of the contributors ​in the book 118 Theories of Design(ing)  with:
#68 A Jugaad Theory of Design[ing] 
#69 A Gandhian Theory of Design[ing] 
#70 A Rasa Theory of Design[ing]

​Proud to be listed along the heroes like Arturo Escobar and Rachel Cooper


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Design Samvãd 26 | Aman Sadana
Journey of a Project in a Design Studio
Recorded on Monday, May 11, 2020
Hosted by Saurabh Tewari
Department of Design
School of Planning and Architecture, Bhopal
www.design.spab.ac.in

Speaker's Bio
Aman Sadana is an Industrial Designer, who specializes in consumer electronics and home appliances. Over the past decade, he has been a part of the Design Studios of LG Electronics, Kohler, Lumium and Tata Elxsi. He is currently working on Atomberg's foray into kitchen appliances. After graduating in Architecture from SSAA, he went on to pursue his Master of Design from IIT Delhi. His work encompasses everyday objects like Air Conditioners, Refrigerators, Ceiling fans, Water Purifiers and Mobile Phones. As a part of the Design Research & Strategy team, he travels extensively to discover insights, greenhouse ideas and develop new product concepts.

Design Samvãd 28 | Kimya Gandhi
My experiments with Type
Recorded on Friday, May 15, 2020
Hosted by Saurabh Tewari
Department of Design
​School of Planning and Architecture, Bhopal
design.spab.ac.in
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Speaker's Bio
Kimya Gandhi is a type designer from Mumbai with a passionate interest in Indic scripts. Kimya is a partner at the type foundry, Mota Italic where she specialises in creating new and innovative retail and custom Devanagari typefaces. When not designing, she teaches type design and typography at various design institutes in and around Mumbai. She studied Communication Design at NIFT Bombay and IDC IIT Bombay.

Revisiting the artwork by Laurie Baker which he made out of waste. All  the collages followed a simple visual rule, go mangoes. See more at http://dsource.in/gallery/mango-mania

Today, I reflected on 'Critical Pedagogy in Design in India' in the Panel on Design Pedagogy at College Art Association and Get International Program organised at School of Art Institute of Chicago. Our panel included Pedith Chan (Hong Kong) as the Moderator and presentations by Dr Priya Maholay-Jaradi (Singapore) and Eiman Elgibraan (Saudi Arabia). Thanks to Ali Mahfouz and Pearlie Rose Baluyut for the images.

"At a one-day preconference colloquium, to be held this year at the School of the Art Institute of Chicago, the fifteen new participants will discuss key issues in the international study of art history together with five CAA-Getty alumni and several CAA members from the United States, who also will serve as hosts throughout the conference."

As a CAA-Getty International Program Fellow, I will be attending CAA Annual Conference and Fellowship Program in Chicago, February 2020. 

As part of the School of Planning and Architecture Bhopal's BReUCom (Building Resilience in Urban Communities) project team, we presented the updates on the following four case studies being carried out at the institution:

• Craft, Culture and Community - Learning Resilience from the Ziro Valley, Ziro Valley, Arunachal Pradesh
• Transformative Resilience: The case of Two Communities in Transition, Gazdhar Bandh and Kalbadevi Mumbai, Maharashtra
• Enhancing Institutional and Community Resilience to Climate Change Impacts in the Jodhpur City - Heat Stress, Jodhpur, Rajasthan
• Enhancing Institutional and Community Resilience to Climate Change Impacts in the Jodhpur City - Water Stress, Jodhpur, Rajasthan

Building Resilient Urban Communities (BReUCom) is a project funded under European Union Erasmus+ Program in the field of Capacity Building in Higher Education. SPA Bhopal has collaborated with Danube University Krems Austria, University of Twente, KRVIA Mumbai, SPA Vijayawada, NIT Hamirpur (HP) and the Indian NGOs SPARC and CURE to develop case studies, courses and professional development programmes in the emerging field of Urban Resilience.

Note: This project has been funded with support from the European Commission. This communication reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein.

Presented two short papers during the Hyderabad Design Week at World Design Organisation @worlddesignorg ' s Research & Education Forum, Humanising Design, at Indian School of Business, Hyderabad on 10 October 2019.
My first paper, Towards an Ontological Expansion of Design: Thematic Threads to advance the next Design Education Paradigm, elaborates three thematic threads, which Design Education structures and networks can pursue to advance the next paradigm. Further, through researching these under-explored positions, and exploring their inherent components, it can work towards creating new forms of knowledge in design research.

As the Ahmedabad Declaration of 1979 remains a significant event in the discourse of design for development, my second paper,  Design for Development 2.0? Revisiting the Ahmedabad Declaration,  illustrated how the pedagogy, project and discourse of IDC and NID were conceptually aligned to the spirit of Ahmedabad Declaration of 1979.

Image Credits: WDO, Anmol and Harshali

Image Credits: EPCO
So, after the eight-month long exposure to Gandhian ideas it was the time to give back to the forum at EPCO. The programme, Gandhi Prasang (Gandhian Eco-philosophy Seminar), was organised at EPCO Bhopal to present our ideas to the jury and co-learners. I presented our ongoing work on the Ziro Valley through the Gandhian Lens. For a larger dissemination, I chose to present my work in Hindi as जीरो घाटी: गांधी के ‘सपनों के भारत’ की एक जीवंत कार्यशाला. 
The seminar was followed by the Award ceremony on 2nd October at the iconic Minto Hall in Bhopal. The Keynote was delivered by former Environment minister Shri Jayaram Ramesh, who also distributed the certificates to all the Gandhian Eco-philosophy Fellows. 

Visited HfG Ulm, the Gangotri of so many post-war design objects, pedagogical approaches, and service/system concepts. It's unfortunate that this iconic Design School closed in 1968. However, it's ideological variations are all over the world including NID and IDC IIT Bombay in India.

Ms Sushma, an educator at the Nai Taalim Centre, along with Mr Adwait, an educator from Bengaluru working in Sevagram, hosted us at the Nai Taalim School. The participants witnessed all the laboratories dealing with life skills including spinning, knitting, cleaning, farming, drawing, craft etc. and its integration with the mainstream academic structure for the students at the school. 

Made in the memory of Shri Maganlal Gandhi, one of the nephews of Bapu, Magan Sangrahalay (museum) houses the artefacts related to Mahatma Gandhi. We interacted with Ms Vibha Gupta, the chairperson of the trust looking after the museum, about various issues of development and sustainability in relation with the philosophy of Bapu. Then a volnteer took all the participants around the live craft section of the complex, Magan Khadi. Participants witnessed not just the traditional methods of spinning and dyeing but also the innovative products like knitted T-shirt, real-leaf block prints etc.

Mahatma Gandhi has been an iconic and omnipresent figure in India. Like, many of my co-citizens, I know a bit about his role in independence, his philosophy and writings. However, personally, there was no enquiry into the spaces he lived in. Thanks to EPCO Fellowship, I was able to visit the historical sites associated with Gandhi in Sevagram and Wardha. I further realised that I have seen his other residences, in Phoenix, and at Sabarmati. In this series, I will present snippets from Sevagram and Wardha. Again, the idea is to understand the Gandhian philosophy through spaces, objects and practices.

Sevagram Gandhi Ashram
The Sevagram complex is made up of four significant buildings, including the Aadi Kutir, Bapu Kutir, Baa Kutir and Jamnalal Bajaj residence. Aadi Kutir was the first building to be made where Mahatma Gandhi stayed first along with his peers on the invitation of Jamnalal Bajaj of Wardha in 1936. Interestingly, Bapu limited the budget of the building to Rs 1, so it had to be made using the local material procured from the site. It is a minimal assemble of habitat spaces with ascetic materials like local timber and mud. The low ceiling height with the harmonic pillars around keep the experience serene and humble. This place witnessed historical meetings with many luminaries from India's freedom struggle. Later, with the larger influx of visitors in the setup the other huts were made. Its story reminded me of great suggestion to the architect Laurie Baker about using the building material from close vicinity. Perhaps, the Aadi Kutir was the reference.

The whole complex conveys a spiritual emotion through its grounded planes and landscape. Every other second, I felt Gandhi was present around. The gravel on the ground and walking barefoot around was a tactical experience of the space. The objects kept in the residences manifests the simplicity of Gandhi's everyday life.

PS: The early morning prayer at 4:45 a.m. was heavenly. I strongly reccommend attending it, if you plan to visit Sevagram.​